end, volume read a s a collection love stories, all, tales love, love — Asti Hustvedt, Decadent Reader: Fiction, Fantasy, Perversion Fin-de-Si?�cle France

Norway Timelapse
PlayPlay

previous arrow
next arrow
Norway Timelapse
Budapest Timelapse
Iceland Timelapse
Berlin Timelapse
London Timelapse
previous arrow
next arrow

In the end, this volume should be read a s a collection of love stories, Above all, they are tales of love, not the love with which so many stories end – the love of fidelity, kindness and fertility – but the other side of love, its cruelty, sterility and duplicity. In a way, the decadents did accept Nordau's idea of the artist as monster. But in nature, the glory and panacea of romanticism, they found nothing. Theirs is an aesthetic that disavows the natural and with it the body. The truly beautiful body is dead, because it is empty. Decadent work is always morbid, but its attraction to death is through art. What they refused was the condemnation of that monster. And yet despite the decadent celebration of artifice, these stories record art's failure in the struggle against natural horror. Nature fights back and wins, and decadent writing remains a remarkable account of that failure.

Asti Hustvedt, The Decadent Reader: Fiction, Fantasy, and Perversion from Fin-de-Si?�cle France

Related Authors: Asti Hustvedt | The Decadent Reader: Fiction | Fantasy | Perversion from Fin-de-Si?�cle France

Related Topics: art, artifice, dead, death, decadence, decadent, empty, illusion, morbid, nature, romanticism

Topics:

Leave a Reply

Your email address will not be published. Required fields are marked *